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PARKING PARTNERS

Articles by Ryan Walsh

  “Metatheater for the digital age…The twist transcends the boundary between theater and reality.” – Tufts Daily “Kiss is an unusual and discomfiting piece of theater that is part Syrian soap opera, part improv, and totally worth your time.” – Broadway World “A strange and powerful piece.” – Theatre Mirror “This was an amazing production. I was taken in from the beginning by the absolutely fantastic acting and directing. Highly recommended.” – Sue Fendrick, blog…

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  ★★★★ “This piece will change the way you think”– What’s on Stage “I was left…reminded how much power there can be when one human voice, unstilled, speaks the truth to one listener.” – THE BOSTON GLOBE “Gardens Speaks allows people to care deeply about the life and death of a single ordinary person.”“Unusual and moving.” – PATRIOT LEDGER “ArtsEmerson is giving Boston one of the most uniquely individual and profound theatrical experiences in recent memory with…

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    We asked the cast of Kiss what audiences should expect from the show; their reply reveals how you simply have to see it to get it. Kiss runs now – NOV 19. Get tickets today: http://bit.ly/2v89YHQ

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In Gardens Speak, only ten audience members per hour are admitted into this unforgettable, full-body-experience. With such limited availability, we’ve created this guide to help people who still hope to attend locate and secure tickets. Below, we’ve outlined the current availability; we’ll aim to update this blog post with changes at least once per day. If you’re having trouble securing one of the few Gardens Speak tickets, please call the box office at 617.824.8400 for…

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    “Extraordinary and emotionally wrenching.” “Each audience member chooses a card on which a name is written in Arabic. We then match the name to one of the names written on the tombstones, and, as instructed on the card, dig into the dirt to reveal the English name of the person being memorialized (they were all opposing the Assad government), and then lie down on top of the “grave” to hear the man or…

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