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It begins with a severed ear in a grassy field.  It’s out of place, it’s a metaphor, it’s a plot point, it’s simultaneously creepy, funny and intriguing.  In a word, it’s Lynchian. There may be more successful, more universally lauded, more enjoyable David Lynch films in the oeuvre but Blue Velvet is the Lynch film. There are several ways one can make this argument but I’d like to concentrate on this one in particular: it…

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